Avenue Q

By Claire Pienaar

What do you get when you combine a story that takes place on the wrong side of the tracks, a (literally) colorful cast of characters and some very crude and immature humor?

Nope, not Adult Swim. I’m talking about Avenue Q, a musical collaboration of puppets and humans and monsters alike.

Though it was initially confusing to distinguish between humans and puppets, the puppets soon had enough life to be actors on their own. The human puppeteers handled their inanimate counterparts very well, while showing identical expressions in their own faces and body language. Some characters did not wield puppets and instead interacted with the puppets as they would with each other.

Most of the performance was composed of comedy, a type that rings with honesty and lets people make light of their own moral flaws (maybe everyone is a little bit racist…sometimes…) Parts of the play were meant to cause the audience discomfort, including the gratuitous puppet sex scene, and Rod the Republican’s tune about his “girlfriend that lives in Canada”. However, the use of puppets is what made all of the near-blasphemy in the musical more acceptable.

Avenue Q has been running since 2003 and has been very popular among our generation. Since many teenagers in New York City have already seen the musical, bits of humor and lessons from the musical have influenced our culture. Never having seen the show before, I sat through it once and recognized almost half of the jokes as ones my friends have been telling me about for years.

Avenue Q is wonderful for teenagers and adults alike. The continuous humor and brutal honesty will keep you laughing and cringing throughout the entire show!

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